Karol G, Judeline, and rusowsky remain for another week at the top of Spain’s singles chart with ‘Bby Wow’, while Quevedo and Elvis Crespo hold at number 2 with ‘La Graciosa’. The most notable movement on the podium is the ascent of Ana Mena and Lola Indigo, whose ‘Pa ti toa’ climbs from 4 to 3 and marks a new peak just as summer ends. With the track slipping on Spotify, the No. 1 position seems out of reach for them.
Among the new entries, ‘Vamo a Vel’ by ROA and Anuel AA debuts at No. 5 and becomes a new hit in Spain. It’s a more conventional reggaeton than usual: autotune everywhere, excessive reverb, and a fairly solid production. Still, it’s already climbing.
Also rising strongly, as we predicted, is ‘Golfas de verdad’ by L0RNA, which jumps from 29 to 15 in just its second week. It’s a slick Dominican bouyon track that, if you will, hopefully continues climbing all the way to No. 1.
Shakira and Maluma debut at No. 20 with ‘Agua’, a cold splash of water. In other words, it’s a fairly disappointing start for a pair that already knows how well they can perform in Spain: ‘Chantaje’ reached No. 1 on the singles chart and spent seven weeks as the most watched video on YouTube. The reception of ‘Agua’ is more modest, for now.
At No. 45 enters ‘Anormal’, by Yung Beef, Spiff TV, Xiyo and Fernandezz. It’s another rather interchangeable reggaeton with ‘Vamo a Vel’.
The phenomenon of ‘Dama y vagabundo’ also makes its mark on the chart. The original Bromas Aparte song, released in 2015 and revived now by the Caño family’s viral video, enters at 64. The Envido6 version, the name under which the six brothers sign, appears at 93.
Finally, Juseph manages to sneak into the top 100 at number 100 with ‘Coachella’. The Canary Islands artist, linked to the islands’ urban scene, arrives with a fairly decent Caribbean pop track. ‘Coachella’ was originally released in June and already forms part of his 2026 repertoire.
